Author: Jackie Yeager Series: The Crimson Five Series Order: 1 of 3
Genre: Science Fiction Audience: Middle Grade Release Date: January 2018
This book reminds me of: The hover scooters and buses reminded me of Back to the Future, but the rest of the story felt unique.
Spin the Golden Light Bulb is a sci-fi novel written by Jackie Yeager. It’s geared towards pre-teens and older. The story is set late into the 21st century and is about a girl named Kia Krumpet who loves to dream up inventions and is doing her best to avoid being forced to study and work with one subject for the rest of her life.
Kia is a creative young girl from New York state who wants to go to PIPS, a renowned school for the world’s smartest and most inventive kids. She might have passed the Piedmont challenge, but she and her four teammates will have to compete with 245 other students from across the nation, and overcome unforeseen setbacks, before their team can move on, compete in the internationals, and have a chance to go to PIPS.
I loved the book. I noticed no errors in spelling, punctuation, or grammar. The pace was great throughout the entire book. I recommend this book to people who like science fiction.
It’s the year 2071 and eleven year-old Kia Krumpet is determined to build her 67 inventions, but she won’t have the opportunity to unless she earns a spot at PIPS, the Piedmont Inventor’s Prep School. Kia, who has trouble making friends at school, has dreamed of winning the Piedmont Challenge and attending PIPS ever since she learned that her Grandma Kitty won the very first Piedmont Challenge. After she and four of her classmates are selected to compete for a spot at PIPS, they travel by aero-bus to Camp Piedmont to solve a task against forty-nine other state teams to earn their place at the best inventor’s school in the country.
This book reminds me of:Guardians of the Galaxy, but set on Earth.
Content: Suitable for teens and adults. The books don’t contain any strong language or on-page intimacy. There are fight scenes and battles, but the descriptions are not graphic.
Mercury Hale works for Procyon, an organization which operates in secret under the guise of a nonprofit organization, working to ensure that anyone outside of the organization does not come into contact with any interdimensional phenomena. With his closest allies, wittiest remarks, and trusty pulsar stave, Mercury faces off against the abominations that are astral fiends and other, more powerful foes who are bent on dimensional domination and the destruction of all life.
This is a great series. The first three books are of similar length and have a colloquial writing style. Spelling and grammatical errors are minor. The witty and sarcastic remarks are funny and sometimes outright hilarious. Rzasa did great with this series. I highly recommend these books to anyone that likes action, humor, and sci-fi.
Note: This review is for the first three books in the series. Since initially writing this review, I’ve finished the other three books. They’re just as enjoyable as the first ones and I look forward to the next installment—Mercury with Style—coming out on November 26th.
Mercury Hale is not a hero. Not in his mind.
He’s happy spending his late nights slicing his way through monstrous astral fiends, using a weapon imbued with a mysterious power, at the behest of the secretive Procyon Foundation. It’s a strange way to earn a paycheck, but hey, he’s good at it.
The problem is, things are getting worse.
More attacks. More public exposure. None of which Procyon wants. When he tries to get to the bottom of the mess, Mercury is confronted by a tightly-guarded secret about Procyon – its true purpose, and what that means for the fate of the world.
There’s a new Mercury book coming out on November 26th—Mercury with Style. And as a bonus, all the books in the Interstice Universe—which includes all the Mercury books—are on sale for $0.99 each! (Until November 26, 2021.)
November is National Novel Writing Month. The time when many writers will embark on a mission to write a novel in 30 days. Or at least 50,000 words towards a novel project. “Winning” at NaNoWriMo means reaching the 50K benchmark by November 30th.
Will you be NaNoWriMo’ing? Have you ever “won”?
Drafting a novel is a slow process of writing and rewriting for me. I’ve unsuccessfully attempted NaNoWrimo four times before, BUT this year will be different. This year, I have an actual deadline, the experience of several published projects, and—more importantly—a plan. (Look for a follow up post in December to find out if this plan succeeds.)
There’s still time to join. You can sign up on NaNoWriMo’s site to track your progress. If you send me a buddy request, we can cheer each other on (kacummins).
Writing one novel in 30 days is no easy feat. So writing two in 30 days. . . well, at least both projects are middle-grade books. They’ll be shorter than a traditional novel. And if I’ve learned anything about the process of writing, it’s this:
You don’t have to write every day to finish a novel. You only have to write and be committed enough to see it through to the end. No matter how long it takes.
And the consistency and efficiency of your routine directly affects how long it takes to finish a project (much like losing weight with a fitness routine).
My ever-evolving process is best described as structured chaos. There’s a blurry consistency throughout the various stages of brainstorming, planning, drafting, editing… and the scrap-it-all stage, where I set aside a finished draft and start the project over again.
Pre-writing work and writing habits have increased my consistency and efficiency over the years. So maybe spending more time brainstorming and planning (to avoid the scrap-it-all stage) and sticking to a daily routine will finally put the 50K goal within reach?
The Plan: Beef up pre-writing work though journaling and set a daily routine that accounts for habits and naturally productive times.
I’ll be using a new approach for pre-writing work: journaling. It’ll need to be completed before November 1st in order to stay focused on drafting during NaNo.
For those who find it helpful, below are the eight sections included in my pre-writing journals (along with links to some free worksheets I created last year):
Story premise/hook/idea/log line—A high level view of the central story plot focused on the protagonist(s), antagonist(s), and what’s at stake. Typically, it’s anywhere from one sentence to a whole paragraph, but it’s good to have a couple of pages in this section for brainstorming when you’re starting a new story. (Story Spine Worksheet on TpT)
Chapters/Scenes—Building on the outline from Plot Points, this is a more detailed breakdown of the story by chapters or scenes.
Notes—This is like a writer’s miscellaneous drawer. It’s a good place for all those random thoughts or story considerations that don’t have a home. (In that spirit, here’s a set of visual organizers for writing: Story Elements on TpT.)
Writing 50,000 words in 30 days (25,000 for each book) requires a daily writing average of 1,667. Taking off on Sundays increases this goal to a daily writing average of 1,923.
That’s way over my daily writing average of 500 words (on the days I write, not including regular work writing). Hopefully, breaking it down into a few mini-sessions will get me over that barrier.
Morning writing session: 1123 words
Noon writing session: 500 words
Evening writing session: 300 words
To keep the momentum going during drafting, I’ll save edits for after November 30th. Leaving notes when a plot point gets changed or a name or detail stumps me helps. (It’s not unusual find things like THE OBJECT and NEW FRIEND in an early draft.)
And at the end of the day, every word written counts!
Illustrator: Howard McWilliam Genre: Picture Book, Fiction Release Date: 2009-2019
This book reminds me of:How to Catch A Monster by Michael Yu
I Need My Monster focuses on friendly monsters whose job it is to keep children in bed at night. The books work well as independent stories or as a collection. Each story is infused with playfulness, through the prose and the enchanting illustrations. It’s what I most enjoyed about the series.
Ethan’s monster, Gabe, has gone fishing in the first book. Other monsters are sent in Gabe’s place, but none Ethan is happy with. Similarly in the second book, Gabe leaves to help keep another child in bed—Ethan’s sister Emma. There is a “boys need boy monsters” moment in the first book when Ethan turns away a monster for being a girl.
The third book is a departure from traditional storytelling. In it, Ethan compares all the monsters featured in the series to his monster, Gabe. It reminded me of Are You My Mother? by P.D. Eastman.
The last book in this series, How I Met My Monster, shares Ethan’s first encounter with monsters and the moment he met his monster, Gabe.
I enjoyed Hey, That’s My Monster (the second book) and How I Met My Monster (the fourth book) the most. Overall, the series was fun and charming. I loved the illustrations.
A unique monster-under-the-bed story with the perfect balance of giggles and shivers, this picture book relies on the power of humor over fear, appeals to a child’s love for creatures both alarming and absurd, and glorifies the scope of a child’s imagination. One night, when Ethan checks under his bed for his monster, Gabe, he finds a note from him instead: “Gone fishing. Back in a week.” Ethan knows that without Gabe’s familiar nightly scares he doesn’t stand a chance of getting to sleep, so Ethan interviews potential substitutes to see if they’ve got the right equipment for the job—pointy teeth, sharp claws, and a long tail—but none of them proves scary enough for Ethan. When Gabe returns sooner than expected from his fishing trip, Ethan is thrilled. It turns out that Gabe didn’t enjoy fishing because the fish scared too easily.
The Shoals Writers Guild is an educational guild for published authors and writers seeking publication. Each month, they host two speakers at their meeting: an author and a community professional. You can learn more about them through their Facebook page.